Juror’s Statement
I would like to thank Saranda and all at Kalaveshi Arts for the opportunity to jury their Fall 2025 Show. Kalaveshi Arts is a dynamic and creative arts center and I fully support their continued commitment to developing, building, nurturing, and enhancing creative community.
Working as a juror for any art venue is always a challenging task and as an artist myself, I am aware of the hard work, perseverance, and courage it takes to submit to juried shows. I greatly appreciate and wish to acknowledge the creative efforts of all the artists who submitted their work for consideration. It has been an honor to view all the entries, difficult to choose some for the show and even more challenging to select only three award winners.
When I jury a show, I try to follow a series of guidelines for selection. This enables me to be more neutral in my choices. These include:
- Creativity & Originality – a sense of inventiveness and original thinking and how well an artist pushes boundaries or offers a fresh perspective
- Mastery of technique - a balance in materials, media, and process, developed sensitivity of material handling, and knowledge and use of basic composition and design elements
- Artistic Voice – the artist’s ability to convey impact and emotional resonance.
I believe all the works selected for this show address all these qualities and each piece spoke to me on some level but three stood out for me.
Kathryn Myers, “Rupture” captures outstanding mastery of media and compositional elements and the ability to evoke emotional resonance by showing the raw view of lives lived simultaneously through exposed interiors and damaged exteriors.
Grace Scharr McEnaney’s “Indigo Matrix” balances media mastery with intense color and line qualities enabling me to move throughout the detailed and intricate spaces of her unique mark-making.
In Margaret Wilson’s “Fall Harvest: Bowl of Eggplant and Peppers” her materials handling and sensitivity along with her ability to offer a fresh perspective on a traditional subject allows me to experience still-life as an active living being.
Many thanks to all the artists for allowing me the privilege to view and spend time with your outstanding works.
Patricia Carrigan, Oct 17, 2025
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Ali Lenehan, Sage
Ashley Hyatt, Focus
Carol Ganick, Fall in Connecticut
Chelsea Hyatt, Elmer
Christina V. Cowan, The Art of Growing
Cyd Gorman, Ice 1, Ice 4
Daniel Wade Barrett, Perhaps Here
Deborah Simmons, Spring Blossoms
DJ Stenson, Evening Song
Edith Skiba LaMonica, Autumn
Garrett Phelan, Sea Storm
Geni Gorani, Eye Feather
Grace Scharr McEnaney, Energy Waves, Indigo Matrix - 2nd Place
Gusky, Co-Op City of God, Frankenstein
Jackie Fiorello, Snowy Bistro Table
Jackie Lovejoy, The Great Horned Owl
Jennifer Wyzykowski, Green Forest
Joan Brault, Erie Canal
Joanna Eickenhorts, Just Waiting
Johanna Kuruvilla, Alleys of Zanzibar
Judith Secco, Hummingbird on Echinacea, Wrens
Justine Coleman, Blue Heron
Karen Grant, Hidden Dreams
Karen Israel, In the Long Run
Kate Emery, Heading Off
Kathleen Curran Smits, Black Unraveled
Kathryn Myers, Rupture - 1st Place
Kyia Kline, Campfire Cowboy
Laura Wilmington, A Place for A Soul to Find Peace
Laurie G Kelley, Silly Goose
Lori Barker, Double Tree
Marc Chelnik, DaVinci's Horses
Margaret Wilson, Fall Harvest: Bowl of Eggplant & Peppers - 3rd Place
Mark LaPointe, Same Old Divide
Mary Alice Landry, Barn Song
Maura O'Connor, Boathouse
Michael Toti, Lift Off
Michele Fischer-Paul, Misquamicut Shadows
Nora Hillman, Flowers for Mother
Patrick Hughes, Pursuit, When We Were Young
Paul Yeaman, Mashomack Grasses
Pauletta De Lucia, Southern Magnolia
Renée S. Hughes, Recurring Cycle 1
Sally Stamos, See
Sarah Ryor, Where My Heart Dwells, Inward Glance
Shirley Mae Neu, Impending Storm
Stephen Wilson, Little Venice Houseboat
Suzan Scott, Wildfire Burn V1
Vicki Thaler, Lost in Myself
Zina Saunders, Sit

